#Impostor factory ending explained skin

Her eyes were a vibrant green, and her skin was fair. Throughout her childhood and teenage years, Faye had shoulder length brown hair, with a portion of it tied into a small ponytail. She returns in Impostor Factory as a major character. Initially, she seems to be Colin Reeds' childhood friend, but is later revealed to be a figment of Colin's imagination. You know I will always be there to protect you.'įaye is a major character in Finding Paradise. The session ended with a look at compassion, and a call to show the compassion and encouragement you show to others to yourself as well “Remember, you are more ready than you realise.'In my own way. If someone gives you a deal that you’re not sure about, the MU can help you work out if it is right for you. Remember, saying ‘no’ to a bad deal is a positive act. Let that negotiation be someone else’s choice,” she suggests. “Always scale up and leave room for negotiation.

That includes your financial worth and asking for it – and more – when you negotiate your next fee. Knowing your worth is also key, says Chloe. ‘Progress not perfection’ is a useful mantra to have. “Stop believing that if you don’t excel at one part of your job, you’re not good at any of it,” she adds. Everyone is learning that their capabilities are different”.Ĭreating something new is also an inherently disruptive act, and Chloe encourages everyone to recognise and embrace the power that has “What you do could turn the industry on its head”. Own your USP, she says, “No-one’s going to be you. If you haven’t done it before, identifying yourself as a musician can be a powerful thing. She encourages everyone to get comfortable identifying what they do and explaining it to people. “Stop thinking like an imposter, or of yourself as one.

The first step is recognising it and wanting to combat it. There’s no one way to overcome imposter syndrome, but there are different things you could do that might help. “It’s because something matters to you” that you feel this way, says Chloe.

Identifying as a musician – especially if music is not the primary earner.Moving between genres, styles and sectors but not feeling at home in any of them.But working in the music industry it can be anything, and again different for everyone. What triggers it?įor Chloe, it’s being in a boardroom. Her imposter syndrome takes the form of overwhelming self-doubt or dread. 'For me, it’s an overwhelming feeling that sometimes I can shake off and other times I can’t,” says Chloe. Imposter syndrome affects a lot of people, and every one of those people will experience it in a different way. the persistent inability to believe that one's success is deserved or has been legitimately achieved as a result of one's own efforts or skills But what is it? And what can we do about it? Mentors and mentees taking part in the she.grows X MU mentoring programme explored the issues with Chloe, founder of thy self, in a workshop at Musicians’ Union HQ.